Or why Daniel Scheinert made his film The Death of Dick Long in small-town Alabama with community involvement and sustainability at the fore.
For actress and writer Mara Wilson, it took seeing the Bard's classic tale of revenge through a Japanese lens for her to truly appreciate it.
Richard Gray on how he went from being an Aussie kid who loved Braveheart to revisiting characters from that film in a movie of his own.
Writer-director Angelica Zollo on the subject of her debut feature, Trauma is a Time Machine.
The writer-directors of the new movie Villains are kind of heroes when it comes to their ideas about how to run a film set.
Can You Keep a Secret? director Elise Durán on the special canine companions that have shaped her as a person and as an artist.
Writer-directors Adam Stein and Zach Lipovsky on the real, unglamorous story behind their award-winning breakthrough movie Freaks.
As his latest opus, Depraved hits theaters, indie horror maestro Larry Fessenden takes a moment to remind himself exactly why he makes movies.
Writer-director Michael Tyburski charts the unexpectedly long journey he took to make his new movie, The Sound of Silence.
For writer-director Aaron Schimberg, finding the right way to describe his latest feature, Chained for Life, has been challenging.
