Jeremy Bolm (Touché Amoré, Hesitation Wounds) on supergroups and the honest, punk spirit of the new Baker-Bridgers-Dacus collaboration.
Is Poppy a computer? Or is she actually just a girl? Julia Shapiro (Chastity Belt) investigates.
Listening to Laura Jean’s latest, you can almost smell the saltwater in the breeze.
"I know what it’s like to be a Pitchfork darling. I also know how it feels to be trashed by one of their writers."
“I don’t need to pull the album apart and put it back together again to know how it makes me feel.”
Joey Burns (Calexico) on the transformative experience of Double Negative.
"Like their namesake, the band is more at home in the night, skulking around in the wash of your headlights, half daring you to run it over."
Eartheater (aka Alex Drewchin) extols the virtues of Gang Gang Dance's non-escapist, non-pacifying new record.
Andy Falkous dissects the evolutions, both of genre and band name, on Smote Reverser.
Julien Baker reflects on Death Cab for Cutie's latest record and the inevitability of change.