Dean Fleischer-Camp on the story behind his film Fraud, and what it's been like to show the film to audiences in the current climate.
The producer of The Invisible War, The Hunting Ground and The Bleeding Edge on what it takes to tell profoundly important stories.
Adam Bhala Lough, director of Alt-Right: Age of Rage, ponders where we stand 12 months after the tragic death of Heather Heyer.
David Farrier had a lot of weird experiences making his new Netflix documentary series, but none more so than just after Charlie died ...
Ian Bonhôte, director of the new documentary McQueen, wants a moment of your time to discuss a subject that most filmmakers shy away from ...
The director of the documentary Of Love & Law discusses constantly having to negotiate being “othered” by well-intentioned audience members.
Rachel Dretzin, whose new film Far From the Tree opens Friday, on a formative experience that shaped the way she approaches her work.
The director of the new film Love, Cecil on stumbling into cinema, and how she somehow ends up looking like all of her documentary subjects.
In The King, Eugene Jarecki is taking aim at one of our nation's sacred cows. But, despite what the trolls say, it's not Elvis.
Lorna Tucker, director of Westwood: Punk, Icon, Activist, relates her remarkable journey from homeless teen to successful documentarian.
