Pamela B. Green on rewriting early film history and her transformative experience making Be Natural: The Untold Story of Alice Guy-Blaché.
Penny Lane, the director of Hail Satan?, on the 60/40 rule and her delightfully bumbling path to mainstream success.
Director Emma Tammi delves into the theme of isolation at the heart of her new film, The Wind, and her documentary about the 2016 Election.
Columbine survivor and doc director Laura Farber on what she learned making We Are Columbine, and telling a story that needed to be told.
Adam Gussow, one the title characters of Satan & Adam, looks back on the remarkable period of his life the documentary captures.
Michelle Memran on the lengthy and arduous journey she took to complete The Rest I Make Up, her film about playwright María Irene Fornés.
Pat McGee on the ethical dilemmas he faced when making his debut doc feature, the film which inspired Viceland's Dopesick Nation.
Mark Cousins, director of the new doc The Eyes of Orson Welles, on how our current age has caught up to a genius ahead of his time.
The director of The Gospel of Eureka on his experiences making (and then screening) a documentary short about an LGBT haven in the Bible Belt.
David Farrier had a lot of weird experiences making his new Netflix documentary series, but none more so than just after Charlie died ...
