Filmmaker Julia Marchese on why Terry Gilliam’s dystopian classic Brazil is her favorite holiday movie of all time.
Filmmaker Julia Marchese celebrates the 40th anniversary of, well, a lot of really cool movies, actually!
Fernanda Faya, whose documentary Neirud plays at DOC NYC this weekend, on the epic journey of making her new film.
Writer-director Iuli Gerbase shares the story of that time when one of the leads in her latest film, The Pink Cloud, went a little crazy …
Daniela De Carlo, writer-director of The Blackout, on how her childhood idol, Brazilian pop star Xuxa, magically came into her life, for good.
Director David Charles Rodrigues never got any formal film education. Instead, he learned everything from his favorite video-store clerk, Cláudio.
Writer-director Fernando Grostein Andrade on the lessons he learned behind bars, and how they apply to his new film Abe and our present moment.
Sabrina McCormick and Soopum Sohn write about the unique experience of making their new film, Sequestrada, in the Amazon rainforest.
To mark the release of Costa's doc The Edge of Democracy, she talks with the director of Our Brand is Crisis and Big Men.
The Swiss duo share some of the Brazilian funk, fusion, and acid jazz tracks that inspire them.
