Cheryl Dunn on the "secret studio" where she shot initial footage for her new doc on iconic NYC artist Dash Snow, Moments Like This Never Last.
Mariam Ghani, whose striking new documentary What We Left Unfinished is out now, on what pushed her to change the kind of work she made.
Filmmaker Michelle Memran on how she used making art with watercolor pencils as a form of therapy, from her cancer diagnosis through the pandemic.
Louise Goffin calls for us all to have faith in the unseen.
John Colpitts (Kid Millions, Oneida) examines an iconic exhibition featuring an iconic exhibitionist.
Jes Skolnik (National Tattler) talks the importance of inclusive arts spaces after the Oakland tragedy.
The election and his new film, Burn Country, prompt Ian Olds to grapple with how important art is now, and what is its place in the world.
Tom Maxwell (Squirrel Nut Zippers) urges artists to keep creating under President Trump.
