Riley Stearns is the writer/director of Faults (SXSW 2014) and the short The Cub (Sundance 2013). He lives in Los Angeles with his wife Mary and his dogs Didy and Ambrosius. You can visit his website here.
It's no fun to read a major critic tear down your vision, but it's sometimes a different matter when the writer is a trolling internet commenter...
In bed with a cup of tea, having lunch or stifling a sneeze, Talkhouse Film contributors share their Sundance picks from Park City and beyond.
A longtime fan of one of the best short filmmakers around dives into his much-anticipated debut feature.
A previously hard-to-find cult movie gets a second lease on life. The reason? Lions, motherfucker.
Watching this richly musical vampire movie is like lying on your bedroom floor with headphones on, listening to a great record for the first time.
Flashing back to his high-school days, the LA-based writer-director ponders how you should discuss a film you don't feel strongly about either way.
I’m a predictable person. Last April, I saw an unsubtitled trailer for a film called Borgman and even though I didn’t understand...