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Tag: film scores

The Sound of Fear

Film
By Matthew Puckett | October 19, 2021
By Matthew Puckett | October 19, 2021

The Sound of Fear

Film composer Matthew Puckett on his relationship with Taxi Driver and Bernard Herrmann's iconic score for Martin Scorsese's classic.

Jude Law Talks with Sean Durkin and Arcade Fire’s Richard Reed Parry on the Talkhouse Podcast

Podcast
By Talkhouse Podcast | November 19, 2020
By Talkhouse Podcast | November 19, 2020

Jude Law Talks with Sean Durkin and Arcade Fire’s Richard Reed Parry on the Talkhouse Podcast

The star, writer-director and composer of the new film The Nest, out now through IFC, have a fascinating discussion about their collaboration.

Revisited: The Score-Only Version of Star Wars: The Last Jedi is a Revelation

Film
By Jim Hemphill | December 31, 2018
By Jim Hemphill | December 31, 2018

Revisited: The Score-Only Version of Star Wars: The Last Jedi is a Revelation

Jim Hemphill details the pleasures of a new cut of Rian Johnson's movie which dispenses with dialogue and SFX to forefront John Williams' music.

The Score-Only Version of Star Wars: The Last Jedi is a Revelation

Film
By Jim Hemphill | July 25, 2018
By Jim Hemphill | July 25, 2018

The Score-Only Version of Star Wars: The Last Jedi is a Revelation

Jim Hemphill details the pleasures of a new cut of Rian Johnson's movie which dispenses with dialogue and SFX to forefront John Williams' music.

Composer Geoff Barrow (Ex Machina) Talks with Composer Clint Mansell (Noah) for The Talkhouse Film Podcast

Podcast
By Geoff Barrow | August 18, 2015
By Geoff Barrow | August 18, 2015

Composer Geoff Barrow (Ex Machina) Talks with Composer Clint Mansell (Noah) for The Talkhouse Film Podcast

Two acclaimed film score composers discuss their craft, and movies today.

Film Composer Daniel Hart (Ain’t Them Bodies Saints) Talks Jody Lee Lipes’ Ballet 422

Film
By Daniel Hart | February 9, 2015
By Daniel Hart | February 9, 2015

Film Composer Daniel Hart (Ain’t Them Bodies Saints) Talks Jody Lee Lipes’ Ballet 422

By showing rather than telling, this documentary about a brilliant emerging choreographer reveals the genesis of, and passion behind, a new ballet.

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