Dan Gregor connects the dots between his first contact with porn, Tim Conway videos, Zelda and his new movie, Most Likely to Murder.
The comedian and animator (who loves live-action movies) explains how his childhood passion for sci-fi and fantasy fueled his latest creative project.
Natalia Almada on systemic sexism, misogyny and marginalization, and making Everything Else, her film about an unseen female protagonist.
Bobby Miller takes us step by step through creative genesis of the creatures in his debut feature, The Cleanse. Warning: rad sketches ahead!
Tamer El Said writes about the uniquely organic creative approach he took to making his cinematic ode to Cairo, In the Last Days of the City.
Ashley Bell started acting to escape herself, but had to undergo a transformation for her directorial debut, Love & Bananas: An Elephant Story.
Nijla Mu'min makes no apologies for her African-American coming-of-age movie Jinn, which plays at BAM this weekend.
Actress turned writer Mara Wilson explains the special resonance that Julie Gavras' cinematic portrait of childhood has for her.
Everybody has a story about how they made the leap to direct their first movie. Here, the director of Little Pink House shares hers.
Serena Dykman shares her experiences making her directorial debut, Nana, which is released this week.
