Actor-writer-director Brian McGuire shares his extraterrestrial experiences working on the New Queer Cinema auteur's recent TV show.
Filmmaker and environmental historian Erin Derham charts the journey she took as she challenged herself making her new film, Stuffed.
Patrick Lussier on his thematic preoccupation with paranoia, both in his new movie Trick and in two longstanding favorites.
The directors of the ESPN 30 for 30 film describe the experience of crafting their intimate portrait of the trans wrestler.
Gregory’s Girl director Bill Forsyth on his overlooked 1989 crime caper, in which Reynolds showed he was a great actor, not just a movie star.
Alexandre O. Philippe, director of Memory: The Origins of Alien, on how Ridley Scott's 1979 film defied cinematic trends to become a classic.
Or why Daniel Scheinert made his film The Death of Dick Long in small-town Alabama with community involvement and sustainability at the fore.
For actress and writer Mara Wilson, it took seeing the Bard's classic tale of revenge through a Japanese lens for her to truly appreciate it.
Richard Gray on how he went from being an Aussie kid who loved Braveheart to revisiting characters from that film in a movie of his own.
Writer-director Angelica Zollo on the subject of her debut feature, Trauma is a Time Machine.
