The director of the new film Love, Cecil on stumbling into cinema, and how she somehow ends up looking like all of her documentary subjects.
In The King, Eugene Jarecki is taking aim at one of our nation's sacred cows. But, despite what the trolls say, it's not Elvis.
Lorna Tucker, director of Westwood: Punk, Icon, Activist, relates her remarkable journey from homeless teen to successful documentarian.
Jeremy Frindel charts his journey from subversive comedy pop star to "green-juice yoga guy" to documentary filmmaker.
The director of The Gospel According to André on the documentary that gave her an intoxicating first taste of the New York City fashion world.
Natalia Almada on systemic sexism, misogyny and marginalization, and making Everything Else, her film about an unseen female protagonist.
Ashley Bell started acting to escape herself, but had to undergo a transformation for her directorial debut, Love & Bananas: An Elephant Story.
Serena Dykman shares her experiences making her directorial debut, Nana, which is released this week.
The Way Brothers share their experiences talking at length with Ma Anand Sheela, the controversial subject of their new Netflix documentary series.
