Columbine survivor and doc director Laura Farber on what she learned making We Are Columbine, and telling a story that needed to be told.
Adam Gussow, one the title characters of Satan & Adam, looks back on the remarkable period of his life the documentary captures.
Michelle Memran on the lengthy and arduous journey she took to complete The Rest I Make Up, her film about playwright María Irene Fornés.
Pat McGee on the ethical dilemmas he faced when making his debut doc feature, the film which inspired Viceland's Dopesick Nation.
Mark Cousins, director of the new doc The Eyes of Orson Welles, on how our current age has caught up to a genius ahead of his time.
The director of The Gospel of Eureka on his experiences making (and then screening) a documentary short about an LGBT haven in the Bible Belt.
David Farrier had a lot of weird experiences making his new Netflix documentary series, but none more so than just after Charlie died ...
Entrepreneur and activist Paige Goldberg Tolmach on how discovering dark secrets from her past pushed her to become a documentary director.
Invisible Hands director Shraysi Tandon knew she wanted to make a documentary feature, the problem was finding the right subject ...
Cameron Yates on traveling the festival circuit with his film Chef Flynn, and his parallel trajectory with Sandi Tan's acclaimed documentary.
