Lea Thompson traces the roots of her artistic identity from the relationships with her mother and dance teacher through to her directorial debut.
Drew Pearce pulls back the curtain on the exhaustive approach he took to world-building for his star-studded directorial debut, Hotel Artemis.
Australian actor turned writer-director Baker gets grilled by another thesp now behind the camera as his new movie Breath hits theaters.
Baltasar Kormákur on his Icelandic roots and pushing himself to the limits for films like Everest and his latest, Adrift.
The director of The Honor List on the particular way she establishes a deeply personal connection to the work she's making.
Claudia Weill looks back on the path her career took, starting with her seminal 1978 feature debut.
Dominic Savage, writer-director of the newly released The Escape, on the unusual and challenging way he approaches making movies.
Michael Pearce, whose excellent debut feature Beast opens in theaters today, on how stealing can shape your filmmaking voice.
Natalia Almada on systemic sexism, misogyny and marginalization, and making Everything Else, her film about an unseen female protagonist.
Tamer El Said writes about the uniquely organic creative approach he took to making his cinematic ode to Cairo, In the Last Days of the City.
