Norman Brannon (Texas Is the Reason) on "emocore," Ian MacKaye, and emo's origin as an epithet.
Regional Justice Center’s Ian Shelton and Wound Man’s Trevor Vaughan discuss the sanctity of powerviolence and loving your own music.
Time & Space is a hopeful uproar in a nihilistic medium—and it's not for everyone.
"While each epoch has its own repugnant political class, it also has its dissidents."
Jim Hemphill makes the case that, despite what Schrader himself may say, one of the director's most personal films is also one of his best.
Editor's Note: Even when she "misses," Graves still looks great.
Meredith Graves talks sadness, Instagram and rebirth.
Some notes on Death Grips.
The Talkhouse is taking up residence at Samsung 837. Join us for the first conversation in our series.
Meredith Graves waxes poetic on why the mall beats the Oscars’ red carpet.