Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. Subscribe now, and explore more illuminating shows on the Talkhouse Podcast Network.
On this week’s Talkhouse Podcast, we’ve got a pair of incredible young songwriter-performers whose music isn’t super similar, but who both embrace a sort of ultra-modern mish-mash of styles: Dorian Electra and Claud. Claud was the first performer signed to Phoebe Bridgers’ new label, Saddest Factory, after spending some time in a duo called Toast. Claud’s debut album, Super Monster, is most often described as “bedroom pop”—that term is brought up in this chat—but that’s only a small part of it. There are hints of all kinds of sounds here, from vaguely Latin-esque to pop-punkish on the delightful “That’s Mr. Bitch to You.”
Dorian Electra has been at it a bit longer than Claud, having made a splash around ten years ago with playful, politically charged songs about money and gender fluidity, among many other things. Electra was featured on the Charli XCX track “Femmebot” a few years back, and in 2020 released their second album, My Agenda, which features everyone from Pussy Riot to Village People.
Electra and Claud have a great conversation, tackling everything from the importance of Spotify playlists—which played a role in each of their success—to college to the complicated commercialization of Pride Month. Enjoy.
This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
(Photo Credit: left, Lance Williams; Edited by: Keenan Kush.)