281 | Wicked: For Good Writer Dana Fox on High-Concept Movie Ideas

Dana Fox (WICKED, WICKED: FOR GOOD) returns to talk about high-concept movie ideas and why the premise matters more than ever.
Dana breaks down what makes an idea market-ready, how to tell if a concept has real gas in the tank, and why emerging writers should focus on selling the idea before perfecting the execution.

She also reflects on writing WICKED as two films, crafting emotional payoff over time, and why – even at the highest level – writing never gets easier.

Looking for more support on your writing journey? Join Meg and Lorien inside ⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL Workshops⁠⁠⁠⁠⁠⁠⁠⁠ ⁠- use code HOLIDAY25 for 50% off your first month.

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The Screenwriting Life is produced by ⁠⁠⁠⁠⁠⁠⁠⁠Jonathan Hurwitz⁠⁠⁠⁠⁠⁠⁠⁠, edited by ⁠⁠⁠⁠⁠⁠⁠⁠Kate Mishkin⁠⁠⁠⁠⁠⁠⁠⁠, and audio engineered and mixed by Urban Olsson.

Email us at ⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠.

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Welcome to The Screenwriting Life, a podcast where Oscar-nominated writer Meg LeFauve and Emmy-nominated writer Lorien McKenna discuss not only the craft and business of Screenwriting, but also the emotional life: the ups and downs of being a creative, to remind you that you are not alone and to keep writing.

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