The director of the new documentary Tony Conrad: Completely in the Present recalls the major figures who helped shape his career.
Talkhouse Film's senior video essayist Kentucker Audley highlights the pleasures (and faults!) of yet another classic movie
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Adam Leon on why additional photography (which he used on his new movie, Tramps) is not a sign a film is in trouble, but exactly the opposite.
The Seattle-based writer-director fights her post-election malaise by watching everything from A Face in the Crowd to Falling Down.
Jim Hemphill on why he fell for Freeform's addictive new series about the on-screen/off-screen romance between two young movie stars.
Andrew Matthews, a newly politicized filmmaker based in Austin, Texas, explains how his background prepped him for the new resistance movement.
The Canadian provocateur sheds light on Bob Rafelson and Jack Nicholson's less celebrated follow-up to Five Easy Pieces.
The director of Finding Oscar reveals his unique path from Midwestern English graduate to filmmaking partner to Amblin's founders.
The day before his debut directorial feature comes out, Shaw shares a cine-centric comic from his latest book, Cosplayers: Perfect Collection.
The internet's favorite no-budget filmmaker, John Wilson, explains why he was at Sundance this year, despite openly resenting the festival.