Storyteller Sam Dingman looks back on Jonathan Demme's beloved 2008 movie, the film that inspired Dingman's podcast Family Ghosts.
Documentarian Luke Lorentzen shares how he captured such unguarded, intimate footage for his new film, Midnight Family.
Marie Therese Guirgis, producer of the Steve Bannon documentary The Brink, recalls her darkest day working on the film.
The legendary director, whose new film Dark Waters is out now, on James Baldwin's film criticism, Max Ophüls movies, and one special turtle.
How a moment of personal crisis ignited David Guy Levy’s need to make his new film, The Mandela Effect.
Manila Death Squad director Dean Colin Marcial looks at Isabel Sandoval’s new film, Lingua Franca, through a distinctly personal lens.
Animator Dash Shaw on the film he most frequently lends interns to show what can be achieved on very limited means.
Writer-director Andrew Matthews says it’s essential to acknowledge the difference between high art and low art.
Jeremy Hersh, who's currently crowdfunding his debut feature The Surrogate on Kickstarter, makes the case for Cristian Mungiu's 2012 drama.
