Jim Hemphill on the deliriously enjoyable CW show, which is so referential it makes Tarantino look like Bresson.
Our staff share behind the scenes commentary and context with each talk, plus an unreleased outtake.
Jim Hemphill explains why this spinoff of a long-running cop show has some of the best qualities of Howard Hawks' 1959 classic Western.
Jim Hemphill sits down with his friend and former collaborator Lea Thompson as her directorial debut world premieres at L.A. Film Festival.
Jim Hemphill makes the case for Daniel Waters' subversive summer camp movie, a film that has never been recognized for its unsettling brilliance.
Jim Hemphill celebrates the creative expansion the polarizing comedian's new Netflix film has afforded him.
Jim Hemphill on why he fell for Freeform's addictive new series about the on-screen/off-screen romance between two young movie stars.
Jim Hemphill on the abundance of riches to be found in the Showtime series, which brings the best of cinema to the small screen.
Jim Hemphill on Maggie Greenwald's 1993 revisionist Western, a film that brilliantly and insightfully plays with the tropes of the genre.
Jim Hemphill sings the praises of Callie Khouri's country-music themed drama, which has thrived since its move from ABC to CMT.