Ted Geoghegan on his new film Mohawk, a thriller about America's ugly past and the proto-Trump supporters who shaped the country.
The directors of Get Me Roger Stone on the scrappy doc techniques they had to employ while making their film about Trump's longtime advisor.
Jim Hemphill is surprised to find the latest Blumhouse joint is legitimately great, and wonders if a golden age of horror is imminent.
Trump's incompetence hasnʼt kept him from enacting hateful immigration enforcement policies.
Katherine Dieckmann explains how Strange Weather's simple truths feel radical in the current disturbing political climate.
"Republicans want to take health insurance away from middle- and low-income folks to give tax cuts to the one percent."
At a time when U.S. politics is beyond satire, Matthew Wilder finds a resonant parallel in the unbridled weirdness of Lynch's seminal TV show.
The Seattle-based writer-director fights her post-election malaise by watching everything from A Face in the Crowd to Falling Down.
Writer-director Ted Geoghegan, who is also a publicist, begs his peers to tweet less about their movies and spend more time actually making them.
Actress and writer Halley Feiffer tries to get to the bottom of why the new leader of the free world is taking aim at the creative community.