A whole world opened up for Lisa D'Apolito when she made Love, Gilda, her documentary about the beloved late comedian.
Sasha Waters Freyer, director of Garry Winogrand: All Things are Photographable, has some thoughts on being a so-called "late-bloomer."
Documentary filmmaker Jesse Sweet on the recent rush of movies about Hasidic Jews, and his own upcoming film, City of Joel.
Amy Scott talks accidentally getting stoned in Italy, Roger Ebert, La Dolce Vita, Trump, editing, and her debut feature, Hal.
Kusama — Infinity director Heather Lenz details the obstacles she faced during her resilient attempts to get her documentary made.
Director Robert Greene, his cinematographer and producers break down the images in their new film, and how they used genre to interrogate mythologies.
Dean Fleischer-Camp on the story behind his film Fraud, and what it's been like to show the film to audiences in the current climate.
The producer of The Invisible War, The Hunting Ground and The Bleeding Edge on what it takes to tell profoundly important stories.
Adam Bhala Lough, director of Alt-Right: Age of Rage, ponders where we stand 12 months after the tragic death of Heather Heyer.
David Farrier had a lot of weird experiences making his new Netflix documentary series, but none more so than just after Charlie died ...